新规则下相当于旧规则艺术分的项目主要有哪些呢？

刚才看了柏山艾莉的贴子，提到
Yukina和Miki的艺术表现力，
大家都觉得Yukina的表现力是强于Miki的，
但因为前者的技术不太好，往往失误较多所以实际上表现分比Miki要低
那么在新规则下因为技术出众对艺术表现分的帮助
还像旧规则那么明显么？
好像因为新规则对完整性的要求更高，
技术的高分对presentation的帮助进一步增加了呢

艺术分分为下面几个部分来打
skating skills
transitions
performance execution
choreography
interpretation

能翻译一下吗?

前两个不懂，第一个看着像“滑行技巧”，听起来像技术打分项目

performance execution  应该是“表演的完成情况”……这样讲好象太笼统了
choreography  应该是“节目自身的编排”
interpretation  应该是“选手对音乐的诠释”

transitions  过渡或衔接

怎么感觉有些重复呢
SKATING SKILLS与TRANSITIONS还有
PERFORMANCE EXECUTION（我认为是“对表演的驾御能力”）三项是有交集的呀

另外：看来这回裁判不是单纯的考虑舞蹈动作是否美观
还要考虑是否恰当的诠释了音乐（小关近两个赛季那种编排肯定不行）
可是某些音乐裁判也没听过 他怎么能知道是否诠释的正确呢（比如：梁祝）
而如果这个INTERPRETATION单纯指的动作和音乐结合是否紧密
那么不就跟CHOREOGRAPHY和PERFORMANCE EXECUTION重复了吗
真不明白新规则是怎样确定考察项目并具体通过并实施的
诡异！

根据国际滑联的颁布的文件，对这五个方面是这样定义和要求的

　ISU New Judging System – Definition Program Components
(according to decisions of the Moderators Seminar – Munich 2004)
07_ProgramComponentsDefinitions_2004_07_01 Page 1 of 3
Skating Skills
Definition:
Over all skating quality: edge control and flow over the ice surface demonstrated by a command of the
skating vocabulary (edges, steps, turns etc), the clarity of technique and the use of effortless power to
accelerate and vary speed.
Criteria:
• Balance and rhythmic knee action and precision of foot placement
• Flow and effortless glide
• Cleanness and sureness of deep edges, steps and turns
• Power/energy and acceleration
• Mastery of multi directional skating
• Mastery of one foot skating
Pair Skating and Ice Dancing:
• Equal mastery of technique by both partners shown in unison
Ice Dancing:
• Compulsory Dance - Ice coverage
Transitions/Linking Footwork & Movement *)
Definition:
The varied and or intricate footwork, positions, movements and holds that link all elements. In singles, pairs,
synchronize skating this also includes the entrances and exits of technical elements.
Criteria:
• Variety
• Difficulty
• Intricacy
• Quality (including unison in Pair Skating and Ice Dancing)
• Balance of workload between partners (Pair Skating and Ice Dancing)
• Variety of Dance holds (not excessive side by side and hand in hand – Ice Dancing)
• Conformity to pattern and stop requirements (Original Dance only)
*) except for Compulsory Dance
ISU New Judging System – Definition Program Components
(according to decisions of the Moderators Seminar – Munich 2004)
07_ProgramComponentsDefinitions_2004_07_01 Page 2 of 3
Performance/Execution
Definition:
Performance: is the involvement of the skater/couple/teams physically, emotionally and intellectually as
they translate the intent of the music and choreography.
Execution: is the quality of movement and precision in delivery. This includes harmony of movement in
Pair Skating and Ice Dancing.
Criteria:
• Physical, emotional and intellectual involvement
• Carriage
• Style and individuality/personality
• Clarity of movement
• Variety and contrast
• Projection
• Unison and “oneness” (Pair Skating and Ice Dancing)
• Balance in performance (Pair Skating and Ice Dancing)
• Spatial awareness between partners – management of the distance between partners and management
of changes of hold (Pair Skating and Ice Dancing)
Choreography/Composition *)
Definition:
An intentional, developed and/or original arrangement of all types of movements according to the principals
of proportion, unity, space, pattern, structure and phrasing.
Criteria:
• Purpose (idea, concept, vision)
• Proportion (equal weight of parts)
• Unity (purposeful threading)
• Utilization of personal and public space
• Pattern and ice coverage
• Phrasing and form (movements and parts structured to match the phrasing of the music)
• Originality of purpose, movement and design
• Shared responsibility in achieving purpose (for Pair Skating and Ice Dancing)
*) except for Compulsory Dance
ISU New Judging System – Definition Program Components
(according to decisions of the Moderators Seminar – Munich 2004)
07_ProgramComponentsDefinitions_2004_07_01 Page 3 of 3
Interpretation
Definition:
The personal and creative translation of the music to movement on ice.
Criteria:
• Effortless movement in time to the music (timing)
Note: Timing is a separate Component in Compulsory Dance
• Expression of the music’s style, character and rhythm
• Use of *finesse to reflect the nuances of the music
• Relationship between the partners reflecting the character of the music (Pair Skating and Ice Dancing)
• Appropriateness of music (Original Dance and Free Dance)
• Skating primarily to the rhythm

啊，一样还是很难量化考查的......